Alumni at PCNW's Photo Zine & Book Fair
by Lisa Ahlberg, grad 2005
Don’t miss the 3rd Annual Photo Zine and Book Fair at PCNW Sunday, August 11 from 12-5pm. It is my new favorite event! This is a fantastic way to support and discover more photographer’s work. Sharing and collecting photo books are a passion for many of us. Come ready to buy.
More than 40 exhibitors have signed up including 13 PCNW alumni. You can still join us.
The reasons to love a photo book or zine are many. The physicality of a book can allow for a deeper connection to someone’s work. It’s different than seeing it on-line or at a gallery. Books are portable. We can look at them again and again in our own home allowing for a more intimate experience. I’m drawn to the softcover books and zines being made today often sold at a reasonable cost and equally inspiring.
The reasons to make one are many as well. Making a book can help with completion of a project or body of work. It’s a great way to share work with others. Personally, I love the democratic nature of zine making. Many of us are finding a way to do it. I got the book making bug big time after taking Eirik Johnson’s The Photo Book class at PCNW. I loved printing the images, then spreading them all over my studio floor, playing with pairings, finding a sequence, trying to get the rhythm right on the pages, editing again and again and finally making a maquette. Then figuring out how to best bring it into print is another challenge. I love exploring how I might add a handmade touch to my zine, paying attention to the paper, print and cover choices.
It’s all definitely a learning experience. If you’re looking for an opportunity to dive into the zine-making process, checkout The Hand-Made Photo Zine class taught by Craig Mammano this Fall 2024 at PCNW; and be sure to keep an eye on future schedules for Eirik Johnson’s The Photo Book class for an in-depth guide to developing your own photo book project.
Below are some of the PCNW alumni who will have work at our table. Come find us!
John Wilmot
Alone Together
This is John Wilmot’s first zine making experience and it’s going to be great! He’s using the digital publisher Mixam to make his zine. You can find John at his studio at Equinox in
Georgetown.
Instagram @jpkamera
Britland Tracy
Show Me Yours
An exploration of masculine vulnerability, intimacy, and the desire to be seen through the
bedrooms and personal writings of twelve anonymous men in the Rocky Mountain Front Range of Colorado.
Pardon My Creep
A zine created in collaboration with artist Kellye Eisworth that pairs images of couples found in flea markets or purchased online with messages we’ve received from men via online dating apps. It serves as a voyeuristic investigation of desire, disconnect, and the performance of the self in the pre-pandemic digital age, and an exploration of contemporary notions of relationships, both real and imagined.
britlandtracy.com
Instagram @britlandtracy
Jenn Reidel
The Unknown Photographer
What interests me as a photographer are all of the “unknowns” I see in history books —
photographers who are listed in art titles as unknown or anonymous. My photo zine introduces the unknown photographer who appeared to me. Her story is revealed through self-portraits and dream journal fragments.
jennreidel.com
Instagram: @jennreidelart
Janet Politte
Dancing with My Shadow
See the Alumni Highlight article featuring Janet below to learn more about her process and projects.
Instagram: @janet.politte
Gwen Emminger
Presence (vol 1)
This zine is a collection of images taken in my neighborhood, capturing the essence of Seward Park and its residents. In Volume 1, you’ll find some of my favorite neighbors-the ones who are often simply accepted as the scenery, but whose presence I feel every day.
A collaboration between Marcia Glover, Constance Brinkley, Gwendolyn Emminger and Lisa Ahlberg, printed into four zines by Mixam and bundled together.
Rachel Demy
Certain Grasping
These photographs were made during nightly walks by myself, as I struggled to balance the tension between my need for pleasure, mystery, longing, comfort, and security. Certain Grasping is a love affair with seeing and feeling what is obscured by shadow—a rekindling of my desire for desire itself.
Two Silent
Two Silent is the second in a series, a semiconscious nightmare set at the tipping point right before freedom turns into free fall, and long after desire becomes craving. It’s an anxious thought loop with no exit, within which I struggled to keep my imminent disintegration masked and hidden from not only those I love, but also myself.
Between, Everywhere
The photographs comprising Between, Everywhere were made over a five-year period touring with Death Cab for Cutie—a photographic journey full of the quiet, the beauty, the monotony and the exhilaration of a veteran band on tour.
—
I asked Rachel for more details of her process.
My publishing process is relatively simple. I design my zines myself and I print them with Girlie Press. I continue to choose Girlie Press for all of my projects because, even though they are a bit more expensive than internet print-on-demand companies, I value being able to talk and work with them in person. Their space is a 15-minute walk from my house and it makes a world of difference for a kinesthetic learner like me. Being able to proof each version of the zine, leaf through Pantone and foiling swatches, and support a local business makes each zine feel like a worthy collaborative endeavor.
—
racheldemy.com
Instagram @racheldemy
Eva Sköld-Westerlind
Lichens
A handmade booklet of lichens photographed in Lincoln park, on the shore and in the woods.
2024.
Lately I have been photographing the smallest and oldest living things in the natural landscape: lichens, fungi, and mosses. By lifting them to prominence, rendering them visible, I hope to contribute to the understanding of their importance in our natural surroundings.
“Lichen is a clothing of the earth”, is a Chinese saying.
evaskoldwesterlind.com
Instagram @evaskoldwest
Solas Gallery, Cian Hayes and Al Varady
We’ll have copies of most of the catalogs we’ve published so far, and a couple of books from
artists we’ve shown in the past.
www.solas.gallery
Instagram @solas.gallery
Matt Ragen
Layers
These photographs tell a personal story. When I was 25, I learned a secret from my grandfather – a deep family secret that even my mother did not know. In this series, I explore the concept of secrets and how they affect alternative pasts and indeterminate futures. The photographs show a perspective of what might have been and what might be. In between the images, I include stories from my grandparents, details from letters and my own personal experiences.
The story is timely with world events. In addition, I am working with a museum in Seattle to display these images although the exhibit date is still in flux.
—
I was curious about Matt’s process on how he planned to bring it to print.
These are cyanotype images printed on glass. To get the images on the page, I photographed
them while they were backlit from a lightbox. I designed the book pages with Photoshop to get
a working model. My current plan is to print this with Girlie Press in Seattle.
—
Additional zines: If They Have Eyes, Can They See? and The Cuba Portraits
mattragenphotography.com
Instagram @mattragen
Jenny Hansen Das
Visible Illusion
There is a delicate balance between beauty and artifice, where often the hidden supports
behind perfection are invisible. Visible Illusion reveals these supports, highlighting the unrealistic standards of beauty and the often invisible efforts required to maintain them. Making the unseen visible brings into question the authenticity of what we perceive as flawless.
jennyhansendas.com
Instagram @jennyhansendas
Lisa Ahlberg
I Wish it Would Rain
A collaboration between Constance Brinkley and Lisa Ahlberg; handmade book with Japanese stab binding and letterpress cover made at Editions Studio. Images from Seattle.
White Center Studio Portraits
Portraits from White Center 2001 – 2019; handmade zine, saddle stitch binding and letterpress cover made at Editions Studio.
Rat City Streets
Photographs from White Center, Washington, zine printed by Mixam with front cover archival print.
lisaahlberg.com
Instagram @lisa.ahlberg
Image Credit: Lisa Ahlberg, John Wilmot’s work being reviewed at West Seattle meet-up
Alumni Critique Groups
Are you a graduate or current student of PCNW’s Certificate in Fine Art Photography?
You’re invited to join us at one of our Alumni Critique Groups! Feel free to join in at any time to either group and bring new work to share.
SEWARD PARK
Meets First Wednesday of every month @ 4 – 6pm
Where: Chuck’s Hop Shop Seward Park / 5041 Wilson Ave S., Seattle, WA
More info: Jenny Hansen Das at jenny@jennyhansendas.com or Janet Politte at jmp.000@icloud.com
WEST SEATTLE
Meets Second Wednesday of every month @ 11am – 1pm
Where: West Seattle Uptown Espresso / 4301 SW Edmunds St., Seattle , WA
More info: Al Varady at alvarady@gmail.com
Image Credits: Lisa Ahlberg of (left) Ineke de Lange’s work and (right) Judith Leckrone Lee’s work being reviewed
Alumni Highlight
Image Credit: Janet Politte, Long Zag
Janet Politte
graduated 2022
interview by Joan Dinkelspiel, grad. 2017
How did your interest in photography come about?
My interest in photography sparked unexpectedly at a young age, around 11. Unlike others in my family who only casually snapped family photos, I found myself drawn to the mysterious process of capturing images. Perhaps it was the cinematic magic of watching images slowly emerge in chemical baths in movies that fascinated me. That alchemy of turning light into tangible memories felt like witnessing pure magic unfold. Over time, this fascination grew into a deep appreciation for both the technical intricacies and the artistic possibilities of photography. Today, it’s the perfect blend of technology and artistry that continues to inspire and captivate me.
Image Credit: Janet Politte, Hair
What sustains your interest in photography?
What sustains my interest in photography is the endless journey of learning and discovery. The thrill of mastering new techniques and uncovering innovative ways to create images continually ignites my passion. I find immense inspiration in exploring the works of new artists, whose unique styles challenge and motivate me to push my own boundaries. Beyond the realm of traditional photography, I am captivated by the idea of transcending conventional norms and experimenting with avant-garde approaches. This constant evolution and the boundless possibilities of creative expression keep my love for photography alive and ever-growing.
Image Credit: Janet Politte, Wind in My Hair
What is your photographic process? What about the use of words with images?
My photography process is organic and intuitive; I rarely set out with a specific subject in mind but rather shoot what captures my attention in the moment. I’ve learned to trust this instinct, knowing that the significance of these moments often reveals itself during the development process. In the digital darkroom, the image comes to life, unveiling details and elements that were not visible to the naked eye. This process feels akin to painting, but instead of using paint, I manipulate light and shadow, enhancing them with technology. Recently, I’ve begun experimenting with Intentional Camera Movement, producing images that are open to a wide range of interpretations, further deepening my creative exploration.
In my photographic work, the use of words with images has become an unexpected yet fulfilling aspect of my creative expression. Initially, I did not intend to incorporate words with my photographs, but as I began pairing quotes with my images on Instagram, I discovered a newfound enjoyment in the process. These quotes often encapsulate the ideas or emotions I wish to convey, providing a deeper layer of meaning to my visual art. By sharing quotes from others, I am able to articulate the sentiments behind my photographs, enriching the viewer’s experience and creating a more profound connection between the image and its narrative.
Image Credit: Janet Politte, Dancing Stained Glass
I understand you are making your first zine book. How’s it going? What’s involved?
I’m excited about making my first zine, a project I’ve long wanted to pursue. The opportunity to participate at the Alumni table at the PCNW Zine Fair provided the perfect impetus to finally make it happen. Despite my enthusiasm, I am admittedly a bit nervous since I’ve never done this before. Thankfully, my good buddies Gwen Emminger and Jenny Hansen Das, who are also alumni and participating in the fair, have taken me under their wings, offering invaluable advice and guidance. They’ve introduced me to InDesign and I’ve supplemented their help with online videos. While I’m optimistic about the outcome, I’m primarily looking forward to the creative process. This time, I’ll rely on a professional printer for printing and binding, skipping any handmade work, to ensure a polished final product.
I understand you have an upcoming exhibit at Seattle Light Room. What’s involved in preparing for this exhibit. We’d also love to hear about your upcoming exhibit in Barcelona.
I am honored to be asked to show my work at the Seattle Light Room gallery, a wonderful space poised to become a significant venue in the Seattle art scene. The exhibit will feature my “Dancing with My Shadow” project, the same series I will use for my zine. However, since the project is ongoing, I anticipate including new images in the exhibit that will not appear in the zine. Preparing for this exhibit is different from past ones due to the project’s brief duration, which puts pressure on me to make quick decisions about how to present and finalize the images.
Additionally, I am thrilled to have some of my older work included in the Julia Margaret Cameron Award 20th Anniversary show at FotoNostrum in Barcelona from October 11-20, 2024. Fortunately, the gallery offers the option to print the work on-site, so I won’t need to handle shipping. My husband, bless him, insists that we travel to Barcelona to see the exhibit in person, making this an incredibly thrilling time in my artistic journey.
Image Credit: Janet Politte, Cullum Wired
Any other upcoming exhibits?
I’ve got quite a journey ahead with my current project, “Dancing with My Shadow,” and I’m nowhere near finished. However, my mind is a buzzing hive of ideas, some more serious than others. I even toyed with the notion of a follow-up project titled “Traveling with My Shadow” just kidding, of course! Though the thought of my shadow donning a tiny backpack and exploring the world is amusing, it’s safe to say that idea might need a bit more refining before it sees the light of day. In the meantime, I’ll keep dancing with my shadow and letting my creativity lead the way.
For more about Janet Politte:
Website Coming Soon – janetpolitte.com
Instagram @janet.politte
Alumni Updates / News / Exhibitions
PCNW’s 26th Juried Exhibtion: Being Present
On view through August 11, 2024
PCNW’s 26th Juried Photography Exhibition: Being Present includes alumni James Kuan, Cian Hayes, Rachel Demy and Al Varady. Curated by Gail Gibson, art dealer and owner of G. Gibson Project. Four hundred artists submitted just over 2600 images for the juror, Gail Gibson, to look through and chose among 48 local, national and international artists four alumni. Come see the show! On view at PCNW through August 11, 2024. Gallery Hours: Mon – Thu 12-9pm & Sat – Sun 12-6pm (Closed Fridays).
Image Credits, Right (Top to Bottom): James Kuan, Rachel Demy; Left (Top to Bottom): Cian Hayes, Al Vardy
Selena Kearney Exhibition at Suquamish Museum
The exhibition Object / Ritual continues through January 2025 at the Suquamish Museum.
Iconoclast Exhibition
On view through August 3, 2024 at Steve Gilbert Photo Studio (Seattle, WA).
Including the works of alumni Gina White, Jenny Hansen Das, Cian Hayes, and Leah Freed, as well as current certificate students Calum Coulter, Ishtar Laguna Montroy, and Holly Pendragon.
Book a viewing at gilbertphoto.com
Patrick Names, grad 2013
Patrick’s photo documentary project Children of the Mist about the basketball culture in the Philippines is featured in PCNW’s Spring 2024 Member Showcase.
Image credit: Stephanie Syjuco, Dodge and Burn, 2019
Elisabeth Vasquez Hein, grad 2019
Elisabeth will be leading the In Response: After/Images workshop in collaboration with the Frye Art Museum as part of PCNW’s Agent for Change Workshop Series. The Frye is hosting an exhibit by renowned Filipino artist Stephanie Syjuco entitled Future/Images. Elisabeth will lead workshop participants to create photo collage-based works of their own inspired by Syjuco’s exhibition.
Image Credit: Jenny Hanse Das,Exhibition Installation at The Seattle Light Room
Another Life for a Thesis Project
by Jenny Hansen Das, grad. 2023
What happens after you graduate from the certificate program? This is a question many of us agonized over during our time in thesis. So much time, effort and emotion goes into creating a show that truly reflects who you are as an artist that it’s a shame to just show it once. My graduating class (2023) talked about this a lot and we’ve decided to try to keep showing it as a group. It’s a way for us to stay connected, and it’s also a way to give our projects a longer life. Almost a year after graduation we hung a scaled down version of the show again at The Seattle Light Room. The work melded as well as it had a year ago and it was such a joy to see it all together again. It was rewarding to see it in a different iteration and to show it to a new audience. We hope to keep showing it for years to come. I hope all of you consider dusting off those images and finding a way to keep them out in the world. They deserve to be seen.
Current & Upcoming Seattle Light Room shows:
www.theseattlelightroom.com/gallery-shows
July 11 – Aug 10, 2024 | Chad Lund (class of 2023)
Sept 12 – Oct 12, 2024 | Janet Politte (class of 2022)
Image Credit: Jenny Hanse Das, Leila Kirske and Chad Lund Exhibition Installation at The Seattle Light Room
Save the Date
Building a Career on Difficult Work: A Conversation with Tony Chirinos on October 19, 2024
Save the date for our next Alumni Association sponsored professional development event on October 19, 2024 (full details TBA). It will feature acclaimed photographer Tony Chirinos in conversation with Jon Feinstein and Anna Ream (grad 2014). Tony Chirinos will be in Seattle with an exhibit at The Seattle Light Room.
Decades ago, Tony Chirinos transitioned from working as a medical photographer to making personal work about mortality, fragility, and the cultural elements that influence how we experience them. Sometimes brutal and always beautiful, Tony’s images have helped him build a successful career as an artist. After years of being widely featured and internationally exhibited, he published his first monograph with Gnomic Books, and in 2023, received a coveted Guggenheim fellowship.
In an intimate conversation with Humble Arts Foundation co-founder Jon Feinstein and PCNW faculty and board member Anna Ream, Tony will discuss developing his dynamic bodies of work from idea to publication and exhibition, and how mentorship – as a mentor and mentee – can be an unparalleled path to artistic growth and success.
Looking and Listening
From Gwen Emminger…
Head to SAM and explore the Poke in the Eye exhibit for a unique and inspiring afternoon. This exhibition showcases the boundary pushing talents of West Coast artists, and all the pieces inspired me and filled my day with joy. An interactive element of the exhibit allows you to pick up an old cord phone and listen to the artists themselves discuss their work. Take a moment to hear Seattle painter Fay Jones as she shares her inspirations and creative process. She never fails to impress. Additionally, you won’t want to miss Xenobia Bailey’s incredible crochet work, featuring a full-size tent, fashion-forward outfits, and a super hip doll clothing collection. This is not your auntie’s 1970’s Afghan blanket. This thought-provoking exhibit is a must see, and be sure to grab a refreshing root beer float at the cafe afterwards.
From Al Varady…
Thinking about exhibitions I’ve seen and their catalogs, I was looking at ‘Garry Winogrand’ and his masterful use of the Dutch angle, how he’d straighten a leg in a phone booth, and how it seems to anchor a photo, rather than be so jarring. I remember the old Batman tv show using it for villain’s lairs, too.
From Lisa Ahlberg…
Many nuggets to be found about photography process in Sasha Wolf’s Photoworks podcast. Recently I listened to the episode with Christopher McCall, Executive Director of Pier 24 in Francisco. Who’s going to San Francisco to see the final exhibition Turning the Page — a celebration of the photobook this fall? Interesting conversation about the fine art photography “market”. Also this reference to The Unreasonable Apple by Paul Graham. Loved an earlier episode with Graham as well.
Send us your thoughts! alumni@pcnw.org
Image Credit: Lilly Everett, 2023 Thesis Exhibition Reception
Alumni Association
What is the Alumni Association and who is a member? The PCNW Alumni Association includes and is for all graduates of the Certificate in Fine Art Photography. We have a volunteer leadership committee that seeks to deepen the connection between Alumni, current Certificate Students, and PCNW, and explore ways in which we can further support, elevate, and celebrate one another.
Are you a graduate who is interested in getting more involved? We intend to renew the committee on a regular basis, with new members, and think this group can lead some great initiatives. Reach out to us at alumni@pcnw.org if you’re interested in joining the leadership committee, have ideas to help foster connection and professional development, or if you’d like to support upcoming initiatives.
Are you an alum with an upcoming exhibition, book launch, lecture, portfolio review, or other
event that you’d like us to feature in a future Alumni Newsletter and/or on the PCNW Alumni
page? Tell us about what you’re up to by completing the Alumni Survey Form or e-mail us at alumni@pcnw.org.
Posting on Instagram? Add another hashtag to your work: #pcnwalumni
Thank you to our current volunteer leadership committee members: Lisa Ahlberg, Gwen Emminger, Jenny Hansen Das, Andy Holton, Janet Politte, Matt Ragen, Anna Ream, and Al Varady. Our current Chairperson is Gwen Emminger.
Additional thanks to the alumni who contributed to making this issue of the newsletter happen, especially: Lisa Ahlberg, Jennifer Brendicke, and Joan Dinkelspiel.
