All Day I Hear The Noise Of Waters, 2015
Archival pigment prints (diptych)
16 x 48 inches (16 x 24 inches each)
Retail value $3800
© and courtesy Rafael Soldi; print production courtesy The Color Group; framing courtesy Gallery Frames
Rafael Soldi is a Peruvian-born artist and independent curator based in Seattle (unceded Indigenous land of the Coast Salish peoples). His practice centers on how queerness and masculinity intersect with larger topics of our time such as immigration, memory, and loss. Rafael has exhibited internationally at the Frye Art Museum, American University Museum, Griffin Museum of Photography, CLAMP, The Print Center, Museo MATE, Filter Space, and Burrard Arts Foundation, among others. He has received support from the Magenta Foundation, Puffin Foundation, smART Ventures, Artist Trust, 4Culture, the Seattle Office of Arts & Culture, and Center Santa Fe. He has been awarded fellowships at MacDowell, Bogliasco Foundation, Vermont Studio Center, and PICTURE BERLIN.
His forthcoming solo exhibition at the Frye Art Museum, Seattle, in Fall 2023.
His first monograph, Imagined Futures / Futuros Imaginarios (Candor Arts), and CARGAMONTÓN (self-published), were both published in 2020.
His work is in the permanent collections of the Tacoma Art Museum, Frye Art Museum, King County Public Art Collection, and the Pennsylvania Academy of Fine Arts. Rafael’s work has been reviewed on ARTFORUM, The Seattle Times, The Boston Globe, Photograph Magazine, The Seen, Art Nexus, and PDN. He is the co-founder of the Strange Fire Collective, a project dedicated to highlighting work made by women, people of color, and queer and trans artists; and co-curator of the High Wall, a yearly outdoor video projection program that invites immigrant artists and artists working on themes of diaspora and borderlands to intervene the facade of a former immigration center building in the heart of Seattle.
Rafael holds a BFA in Photography & Curatorial Studies from the Maryland Institute College of Art.