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Home / Gallery / Exhibitions / Susan Meiselas: Crossings

Susan Meiselas
Crossings

On view: January 15 – March 22, 2026

Talk and reception: Friday, January 16th; talk will begin at 6pm, with reception to follow

The lecture will be held at Seattle University in the LeRoux Conference Center on the ground floor of the Student Center building next to the Library. It is just one block south of PCNW on the Seattle University campus, and attendees are encouraged to join us in PCNW’s gallery directly following the lecture for the artist reception.

RSVP
Sample of Crossings Exhibition Install, courtesy of Susan Meiselas

First presented at the Art Institute of Chicago in 1990, this exhibition by Susan Meiselas intertwines documentary photographs of Central America during the 1970s and 1980s (from Nicaragua and El Salvador) along with panoramic images from the US/Mexico border taken in 1989. Additional photographs of the US/Mexico border taken in 2018 are also featured in a site-specific gallery installation. The exhibition invites viewers to see immigration in the context of economic and political crises in the region.

Today, the work feels newly urgent. US immigration enforcement has expanded through militarization and constant surveillance, with leaders using fear-driven language to divide communities and legitimize brutal forms of control.

These photographs ask us to look carefully, to recognize familiar patterns, and to hold on to our shared humanity across the globe. People move in search of safety, possibility, and a better life for their families, which is a universal hope that crosses borders, generations, and time.

Caught heading north along Interstate 5, 10:00 a.m., U.S.-Mexican Border, San Diego County, California, 1989. © Susan Meiselas / Magnum Photo
Caught heading north along Interstate 5, 10:00 a.m., U.S.-Mexican Border, San Diego County, California, 1989. © Susan Meiselas / Magnum Photo
The wall dividing the US and Mexico at Friendship Park, Tijuana beach, Tijuana, Mexico, 2018. © Susan Meiselas / Magnum Photo
The wall dividing the US and Mexico at Friendship Park, Tijuana beach, Tijuana, Mexico, 2018. © Susan Meiselas / Magnum Photo
Arrest of undocumented worker by U.S. Border Patrol near Tijuana, 1:00 a.m., U.S.-Mexican Border, Tijuana, Mexico, 1989. © Susan Meiselas / Magnum Photo
Arrest of undocumented worker by U.S. Border Patrol near Tijuana, 1:00 a.m., U.S.-Mexican Border, Tijuana, Mexico, 1989. © Susan Meiselas / Magnum Photo

Bio:

Susan Meiselas is a documentary photographer based in New York. She is the author of Carnival Strippers (1976), Nicaragua (1981), Kurdistan: In the Shadow of History (1997), Pandora’s Box (2001), Encounters with the Dani (2003), Prince Street Girls (2016), A Room of Their Own (2017), Tar Beach (2020), Carnival Strippers Revisited (2022) and most recently, 44 Irving Street (2025). Meiselas is well known for her documentation of human rights issues in Latin America. Her photographs are included in North American and international collections. In 1992 she was made a MacArthur Fellow and received a Guggenheim Fellowship (2015). Meiselas received the Henri Cartier Bresson Lifetime Achievement award, along with the Sony Outstanding Contribution to Photography Award in 2025, the first Women in Motion Award from Kering and the Rencontres d’Arles (2019), the Deutsche Börse Photography Foundation Prize (2019), and the Erich Salomon Award of the German Society for Photography (2022). Mediations, a survey exhibition of her work from the 1970s to present was initiated by the Jeu de Paume in Paris and traveled to Fundació Antoni Tàpies, the San Francisco Museum of Modern Art and the Instituto Moreira Salles in São Paulo, among others. Meiselas has been the President of the Magnum Foundation since 2007, with a mission to expand diversity and creativity in documentary photography.
 

Companion Exhibition:
In the Shadow of the Border

In the Shadow of the Border, highlights three contemporary artists— Monica Lozano, Elizabeth Piñeda, and Griselda San Martin—each making work that explores the complexity of humanity and the physical and political boundaries that separate us. Elizabeth Pineda’s series, “Sin Nombre en Esta Tierra Sagrada” (translates to Nameless in this Sacred Land), honors the thousands who have died in the Arizona borderlands, reflecting on displacement and erasure. Griselda San Martin’s video piece filmed in 2016 and titled, The Other Side, documents a now no longer permitted ritual at Friendship Park, where a deported father and his daughter met through the steel mesh dividing them. “The Borders” series is by Monica Lozano, and documents the instant when the notion of “home” is lost and people invisibly cross into an uncertain world where survival becomes their only option.

Together, these works reveal the border not as a line, but as a lived terrain shaped by courage, rupture, and longing. Just as with the work of Susan Meiselas’ Crossings, these three artists ask us to look closely at the lives caught in these crossings—and to recognize our shared humanity.

Griselda San Martin, Still 1 from The Other Side
Griselda San Martin, Still 1 from The Other Side
Monica Lozano, Morocco to Spain: Wheel
Monica Lozano, Morocco to Spain: Wheel
Elizabeth Pineda, Espinas del Palo Verde
Elizabeth Pineda, Espinas del Palo Verde

These exhibitions and free programming are made possible by the generous support of 4Culture.

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