Vivian Maier
In the gallery…

Vivian Maier:

Out of the Shadows

February 1 – March 23

Gallery Hours:
Mon – Thu | 11am – 10pm
Fri – Sun | 12pm – 8pm

Admission:
FREE – Photo Center NW is a non-profit organization, donations are greatly appreciated.

Vivian Maier, Highland Park, IL (Self-Portrait, Bedroom Mirror), January 1965

Vivian Maier, Highland Park, IL (Self-Portrait, Bedroom Mirror), January 1965

Vivian Maier, Los Angeles (Self-Portrait, Tiled Mirror Reflection), August 1955

Vivian Maier, Los Angeles (Self-Portrait, Tiled Mirror Reflection), August 1955

Vivian Maier, Los Angeles (Woman in Sweater From Behind),1955

Vivian Maier, Los Angeles (Woman in Sweater From Behind),1955

Vivian Maier, North Suburbs, Chicago (Self- Portrait, Storefront Window Reflection), 1968

Vivian Maier, North Suburbs, Chicago (Self- Portrait, Storefront Window Reflection), 1968

Vivian Maier, Marina City, Chicago (Self-Portrait, Reflection), c.1965

Vivian Maier, Marina City, Chicago (Self-Portrait, Reflection), c.1965

Vivian Maier, Wilmette, IL (Self-Portrait, Full- Length Shadow), 1968

Vivian Maier, Wilmette, IL (Self-Portrait, Full- Length Shadow), 1968

Vivian Maier, Los Angeles (Plant Shadows on Sidewalk), 1955

Vivian Maier, Los Angeles (Plant Shadows on Sidewalk), 1955

Vivian Maier, Coney Island, New York (Couple Kissing at Beach), c. 1951-55

Vivian Maier, Coney Island, New York (Couple Kissing at Beach), c. 1951-55

Vivian Maier, Chicago (Self-portrait, Vivianʼs Silhouette), 1973

Vivian Maier, Chicago (Self-portrait, Vivianʼs Silhouette), 1973

Vivian Maier, New York (Macy's Parade, Toy Soldier Balloon), c. 1951-55

Vivian Maier, New York (Macy's Parade, Toy Soldier Balloon), c. 1951-55

Vivian Maier, Wilmette, IL (Tomatoes on Window Sill), 1968

Vivian Maier, Wilmette, IL (Tomatoes on Window Sill), 1968

Vivian Maier, Wilmette, IL (Dog in Car), 1968

Vivian Maier, Wilmette, IL (Dog in Car), 1968

Vivian Maier, Wilmette, IL (Gloves on Window Sill), August 1972

Vivian Maier, Wilmette, IL (Gloves on Window Sill), August 1972

Vivian Maier, Chicago (Manʼs Silhouette), April 17, 1968

Vivian Maier, Chicago (Manʼs Silhouette), April 17, 1968

Vivian Maier, Wilmette, IL (Woman and Baby at Beach), 1967-68

Vivian Maier, Wilmette, IL (Woman and Baby at Beach), 1967-68

Vivian Maier, Wilmette, IL (Girls Wading in Lake Michigan), July 1968

Vivian Maier, Wilmette, IL (Girls Wading in Lake Michigan), July 1968

Vivian Maier, Maxwell St., Chicago (Man in Doorway), 1967

Vivian Maier, Maxwell St., Chicago (Man in Doorway), 1967

Vivian Maier, Highland Park, IL (Three Tulips), 1961

Vivian Maier, Highland Park, IL (Three Tulips), 1961

Vivian Maier, Chicago (Ticket Booth), 1968

Vivian Maier, Chicago (Ticket Booth), 1968

Vivian Maier, Chicago (Woman with Pearls),1967

Vivian Maier, Chicago (Woman with Pearls),1967

Vivian Maier, Chicago Area (Vivian's Shadow on Electric Box), 1965

Vivian Maier, Chicago Area (Vivian's Shadow on Electric Box), 1965

Vivan Maier, Los Angeles (Plant Shadows on Sidewalk), 1955

Vivan Maier, Los Angeles (Plant Shadows on Sidewalk), 1955

Lecture & Book Signing: Friday, February 8, 6:30 pm
Richard Cahan, co-author of Vivian Maier: Out of the Shadows
Tickets: $10, $8 Members LECTURE SOLD OUT

Reception: Friday, February 15, 6-8 PM, FREE, OPEN TO PUBLIC
Special Guest: Ron Gordon, master printer of Vivian Maier’s work, will be giving an informal presentation at the reception.

Photo Center NW is proud to announce an exhibition of photographs by Vivian Maier (1926 – 2009) from the Jeffrey Goldstein Collection, featuring silver gelatin prints of images selected from the book, Vivian Maier: Out of the Shadows, by Richard Cahan and Michael Williams of City Files Press. The exhibition puts Maier’s work in the context of her life during her highly creative period from the 1950s through the 1970s. Richard Cahan will give a lecture presentation on the book, Vivian Maier: Out of the Shadows on Friday February 8th, 6:30 pm. Limited copies of the book will be available for purchase. Jeffrey Goldstein will also be present that evening.

In addition to her known street photography, this exhibit features a prolific selection of images that show an artist with relentless curiosity that worked in a vast range of subjects and styles. Maier’s unique ability to brilliantly capture the zeitgeist is particularly apparent in shots of Chicago’s famous Maxwell Street and in protest scenes shot during the social unrest of 1968. Echoing the chapters in the book, the exhibition is organized to reflect nine of Maier’s personal journeys from the pastures of rural France to the streets of downtown Chicago, “Snapshots,” “America,” “Day,” “Maxwell,” “Beach,” “1968,” “Downtown,” “Walks,” and “Night.”

Maier’s work was discovered in Chicago in 2007 when boxes of abandoned prints, negatives and undeveloped film were sold at auction. Born in New York, Maier spent much of her youth in France. Starting in the late 1940s, she shot an average of a roll of film a day. She moved to Chicago in the mid-1950s, and spent the next 40 years working as a nanny to support her passion for photography. Maier died at the age of 83 before her work was ever publically recognized or exhibited.

Since her exhibition debut in 2010, Maier’s work has been shown at the Chicago Cultural Center, Russell Bowman Art Advisory in Chicago, Steven Kasher Gallery in New York, Jackson Fine Art in Atlanta, Stephen Cohen Gallery in Los Angeles and by the Hearst Corp. in New York. Vivan Maier: Out of the Shadows is the first exhibition to expand on her photographic legacy, examining her images within the framework of a life story that continues to be unraveled by art enthusiasts and historians.

“Vivian’s photographs tell her life story,” said Michael Williams, co-author of Vivian Maier: Out of the Shadows. “She was way ahead of her time—recording what she saw on a daily basis with a joy and curiosity that makes her work so compelling.”

Maier shot many of her most iconic pictures while working for various suburban Chicago families, a job that allowed her to periodically travel both domestically and abroad, as shown in her photographs of New York, South Dakota, Florida, California, as well as the rural pastures of Southern France. Images she snapped are combined with interviews with those who knew her best in the book, told by the authors.

“We went far in documenting Vivian’s life, but she loved being a woman of mystery,” said Richard Cahan, co-author of the book. “Even her photographs—clear, forthright images—only go so far in revealing her. That’s what great photographers do.”

The exhibition features posthumous, 12”x12” silver gelatin prints produced in editions of 15 and signed on the verso by Jeffrey Goldstein and by master gelatin silver printers, Ron Gordon and Sandra Steinbrecher.

For more information on the Jeffrey Goldstein Collection, visit www.vivianmaierprints.com.

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